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Criminal justice, Administration of --- Public opinion --- Public opinion.

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Summer 2002. The Palestinian filmmaker Michel Khleifi and the Israeli filmmaker Eyal Sivan set off on a cinematographic journey in their country, Palestine-Israël. All those who cross their path are given a voice, men and women, Israelis and Palestinians, young or old, civilians or soldiers, captured in the ordinariness of their daily lives.

Arab-Israeli conflict --- Public opinion. --- Israël --- Palestina --- Arab-Israeli conflict - 1993- - Personal narratives. --- Arab-Israeli conflict - 1993- - Public opinion.

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In the Spring of 1990, Daniel Farson flew to Moscow with Gilbert & George. He was there to cover their exhibition for the Sunday Telegraph, but the experience became so strange that he came downstairs one morning in the Ukraine Hotel and told them - This should be a book. Apart from the problems of staging such a show in Russia - the catalogues weighed 7 1/2 tons alone - they arrived at a crucial time in Moscow's history. Despite a sense of impending doom there was a momentary mood of optimism, a fleeting freedom reflected in the speech by a Soviet spokesman who admitted that such an event would not have been allowed in the previous years of Stagnation. It was not by change that Gilbert & George chose One World as the exhibition's title, for their work is noted for crossing barriers, appealing to all people - especially the young Judging by the enthusiasm of the young Russians who crowded into the rooms on opening day, their claim that this was a Turning Point In 20th Century Art was confirmed. Yet Gilbert & George, probely the most controversial artists working in the world today, have been subjected to such virulent abuse that it verges on paranoia. The Mosow exhibition received no official blessing or funding. Farson asks Why The Hatred ? and Who Are Gilbert & George ? Approaching them with an open mind he presents the case both for and against them. His gradual understanding of the artists and their work runs parallel with the historic events in Moscow, reaching its climax as Farson was swept into the May Day demonstration in Red Square. The book is richly illustrated with black and white photographs and colour plates.

Conceptual art --- Public opinion --- Art conceptuel --- Exhibitions --- Expositions --- Farson, Daniel, --- Travel --- Gilbert & George --- Moscow (Russia) --- Moscou (Russie) --- Description and travel --- Descriptions et voyages --- Moscow --- Exhibitions. --- Public opinion.

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In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph's addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay's leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.

Photography --- Palestinian Arabs --- Photographie --- Histoire de la photographie --- Photographie de reportage --- Art et politique --- Art militant --- Social aspects --- Philosophy --- Public opinion --- Palestine --- 77.03 --- 77.044 --- fotografie --- fotografietheorie --- reportagefotografie --- documentaire fotografie --- Israël --- Palestina --- 77.01 --- Arab Palestinians --- Arabs --- Arabs in Palestine --- Palestinians --- Ethnology --- Documentaire fotografie --- Nieuwsfotografie. Reportage --- Social aspects. --- Philosophy. --- Public opinion. --- 77.044 Nieuwsfotografie. Reportage --- 77.03 Documentaire fotografie --- Photography - Social aspects --- Photography - Philosophy --- Palestinian Arabs - Israel - Pictorial works --- Palestinian Arabs - Israel - Public opinion

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Sociology of culture --- Social psychology --- 32.019.5 --- #SBIB:303H14 --- Openbare mening. Publieke opinie --- Methoden en technieken van de communicatiewetenschap --- Mass media --- Public opinion. --- Political aspects. --- Social aspects. --- 32.019.5 Openbare mening. Publieke opinie --- Public opinion --- Opinion, Public --- Perception, Public --- Popular opinion --- Public perception --- Public perceptions --- Judgment --- Attitude (Psychology) --- Focus groups --- Reputation --- Communication in politics --- Political aspects --- Social aspects --- Mass media Political aspects